The Maya Rudolph Show (2014) May 19 2014 Frozen Again Kristen Bell
Maya Rudolph's Show Was Sporadically Amusing, Not at All Timely
NBC
Twenty years from now, when a beloved, multitalented, professional person funny lady gets a Goggle box special doing whatsoever it is she most wants to do, perhaps the once-beloved, no-longer-common format she volition long to revive is … the popular-up video. I'm teasing, but The Maya Rudolph Show, a one-hour multifariousness special that aired Mon night on NBC and that Rudolph hopes will become a series, was suffused with nostalgia for the type of singing, dancing, sketch-one-act format—think The Carol Burnett Show—that doesn't much be outside the bastardized confines of award shows these days, and which, on the strength of concluding night'south pleasant, listless instance, perhaps needs reviving even less than pop-up video.
Rudolph, information technology nearly goes without saying, is an appealing, talented performer with a great voice best known for her seven-year tenure on SNL, most memorably sending up a swath of divas. The Maya Rudolph Show, all the same, eschewed all impersonations. She began her bear witness in full Oscars-opening-song style: self-aware rhyming lyrics, multiple costume changes, dorsum-up dancers, a pony. The theme was that Rudolph finally had "my evidence," where she could do anything she damn well pleased, from dancing with the Laker girls to inviting SNL alums Fred Armisen, Andy Samberg and Chris Parnell—every bit well as Kristen Bell and Sean Hayes—to tag along as her merry band of players. (SNL alums' penchant for working with each other, and only each other, is starting to tip over from beautiful to stifling.)
What followed was a sporadically amusing, not at all timely mishmash of sketches and songs. There were skits about parents who vocalisation GPS systems and doctors with vocal tics. Parnell sang a sugariness lullaby to his new daughter. In that location was another song about the spelling of Maya'south name. Janelle Monáe performed. The timeliest sketch of the night had Rudolph and Bong showcasing their pipes while making up words to the sequel for Frozen, Frozen Over again. Rudolph and Samberg had a dance-off, with Samberg costumed like he was straight out of Saturday Night Fever, which was not the near anachronistic joke of the evening. That accolade went to a song fix on an old-timey boardwalk, where Craig Robinson's nut seller argued with Kristen Bell'south clam vendor about which beachside snack was best. The decision, arrived at by Rudolph, was to consume clams and nuts at one time, a combination that Robinson greeted with a "Yowza!" I greeted it with a "Huh?"
All of this may sound weird, but—if only! The prove was pleasant without being particularly funny or memorable, odd without being urgent or edgy, scattershot without taking any big swings. There was one sketch in which Rudolph and Armisen played horrible rich people with a butler and no memory they had a child. Wearing enormous sunglasses, Rudolph told the butler, "I tin't await at you right at present, because I'k not looking at things that are non symmetrical right now." Later she refused to say if she wanted crimson or white wine, considering she was besides busy thinking near whether to go her dog an iPhone, even though she didn't have a dog. This bit didn't seem to go over well with the audience, but it was promisingly foreign and spiky, a chip that didn't quite work but at to the lowest degree gave Rudolph an opportunity to showcase her talent for spoofing the spoiled. Should the show get picked up, more of that please.
Source: https://slate.com/culture/2014/05/maya-rudolph-show-on-nbc-variety-hour-was-pleasant-but-not-memorable.html
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